@media (max-width:767px){.flo-block--2686{margin-top:0rem;margin-bottom:0rem}}@media (min-width:768px){.flo-block--2686{margin-top:0rem;margin-bottom:0rem}}

.flo-block-category-switcher-2--446 .flo-block-category-switcher-2__title{font-family:Helvetica, 'Helvetica Neue', Arial, sans-serif;font-size:1.5625rem;letter-spacing:0em;word-spacing:0em;line-height:1em;text-transform:none;font-weight:normal}@media screen and (max-width:767px){.flo-block-category-switcher-2--446 .flo-block-category-switcher-2__title{font-size:1.5625rem}}.flo-block-category-switcher-2--446 .flo-block-category-switcher-2__links-title{font-family:Helvetica, 'Helvetica Neue', Arial, sans-serif;font-size:1.75rem;letter-spacing:0em;word-spacing:0em;line-height:1em;text-transform:none;font-weight:normal}@media screen and (max-width:767px){.flo-block-category-switcher-2--446 .flo-block-category-switcher-2__links-title{font-size:1.75rem}}.flo-block-category-switcher-2--446 .flo-block-category-switcher-2__category{font-family:Montserrat SemiBold;font-size:0.625rem;letter-spacing:0.2em;word-spacing:0em;line-height:2em;text-transform:none;font-weight:normal}.flo-block-category-switcher-2--446 .flo-block-category-switcher-2__image-wrap{color:#ffffff;height:28.125rem}.flo-block-category-switcher-2--446 .flo-block-category-switcher-2__links-divider{background-color:#000000}.flo-block-category-switcher-2--446 .flo-block-category-switcher-2__categories-wrap{color:#000000;background-color:#ffffff}@media (max-width:767px){.flo-block-category-switcher-2--446 .flo-block-category-switcher-2__image-wrap{height:350px}}

@media (max-width:767px){.flo-block--2690{margin-top:0rem;margin-bottom:0rem}}@media (min-width:768px){.flo-block--2690{margin-top:0rem;margin-bottom:0rem}}

Menú

All Box Office (Taquilla) Críticas Estreno cine Festivales Hablamos con Concursos Reportajes Eventos Korea Fest BCN

@media (max-width:767px){.flo-block--621{display:none;margin-top:0rem;margin-bottom:0rem}}@media (min-width:768px){.flo-block--621{display:none;margin-top:0rem;margin-bottom:0rem}}

Blog

@media (max-width:767px){.flo-block--6317{margin-top:0rem;margin-bottom:0rem}}@media (min-width:768px){.flo-block--6317{margin-top:-3.125rem;margin-bottom:-3.125rem}}

@media (max-width:767px){.flo-block--7885{margin-top:0rem;margin-bottom:0rem}}@media (min-width:768px){.flo-block--7885{margin-top:0rem;margin-bottom:0rem}}

.flo-block-listing-5--166 .flo-block-listing-5__title{font-family:FreeSerifBold;font-size:1.75rem;letter-spacing:0em;word-spacing:0em;line-height:1em;text-transform:none;font-weight:normal}@media screen and (max-width:767px){.flo-block-listing-5--166 .flo-block-listing-5__title{font-size:1.75rem}}.flo-block-listing-5--166 .flo-block-listing-5__category{font-family:Montserrat SemiBold;font-size:0.625rem;letter-spacing:0.2em;word-spacing:0em;line-height:2em;text-transform:none;font-weight:normal}.flo-block-listing-5--166 .flo-block-listing-5__overlay{font-family:Montserrat SemiBold;font-size:0.625rem;letter-spacing:0.2em;word-spacing:0em;line-height:2em;text-transform:none;font-weight:normal}.flo-block-listing-5--166 .flo-block-listing-5__overlay{color:#000000;background-color:#ffffff;background-image:url()}.flo-block-listing-5--166 .flo-block-listing-5__text-area{color:#000000}@media (max-width:767px){.flo-block-listing-5--166 .flo-block-listing-5__featured-image--bgi{height:300px}}@media (min-width:768px){.flo-block-listing-5--166 .flo-block-listing-5__item{width:calc(100% / 3);padding:1.375rem}.grid-sizer{width:calc(100% / 3)}.flo-block-listing-5--166{margin:-1.375rem}}

Lee el post Cursos - Finalizados

Curso de cine online: ‘Korea 100: cien años de cine coreano’

Lee el post Críticas

The Forest of Love: 100% Sion Sono por partida doble

Lee el post Críticas

Estreno en Filmin: Last Child (Shin Dong-seok, 2018)

Lee el post Reportajes

Irrfan Khan: el buen nombre

Lee el post Críticas

El thriller distópico que triunfa en Netflix: Time to Hunt (Yoon Sung-hyun, 2020)

Lee el post Podcast

In the Mood for CineAsia Vol2: El cine asiático en las plataformas online

Lee el post Reportajes

Las 54 recomendaciones literarias para un Sant Jordi cineasiático

Lee el post Entrevistas

Hablamos con: Lee Won-tae y Jang Won-seok, director y productor de The Gangster, the Cop, the Devil

Lee el post CineAsia

Lo que nos deparará el 2020 a los ‘cineasiáticos’ (China, India y Sudeste Asiático)

.flo-block-listing-pagination--132 .flo-block-listing-pagination__page-links{font-family:Montserrat SemiBold;font-size:0.625rem;letter-spacing:0.2em;word-spacing:0em;line-height:2em;text-transform:none;font-weight:normal}.flo-block-listing-pagination--132 .flo-block-listing-pagination__navigation{font-family:Montserrat SemiBold;font-size:0.625rem;letter-spacing:0.2em;word-spacing:0em;line-height:2em;text-transform:none;font-weight:normal}.flo-block-listing-pagination--132{color:#000000}.flo-block-listing-pagination--132 .flo-block-listing-pagination__element-name{}

@media (max-width:767px){.flo-block--5859{margin-top:0rem;margin-bottom:0rem}}@media (min-width:768px){.flo-block--5859{margin-top:0rem;margin-bottom:0rem}}

1 … 60 61 62 63 64 … 282

.flo-footer--212 .flo-footer-area-1-type-d__link{font-family:BenchNine Bold;font-size:0.8125rem;letter-spacing:0.1em;word-spacing:0em;line-height:1.84em;text-transform:none;font-weight:normal}.flo-footer--212 .flo-footer-area-1-type-d__link{color:#000000;background-color:#ffffff}.flo-footer--212 .flo-footer-area-1-type-d{color:#000000;border-color:rgba(0,0,0,0.1);background-color:#e5e5e5}@media (max-width:767px){.flo-footer--212 .flo-footer-area-1-type-d__image:nth-last-child(-n+0){display:none}}

.flo-footer--212 .flo-footer-area-2__link{font-family:BenchNine Bold;font-size:0.8125rem;letter-spacing:0.1em;word-spacing:0em;line-height:1.84em;text-transform:none;font-weight:normal}.flo-footer--212 .flo-footer-area-2{background-color:;color:#000000;border-color:rgba(0,0,0,0.1)}

.flo-footer--212 .flo-footer-area-2__title{font-family:Helvetica, 'Helvetica Neue', Arial, sans-serif;font-size:0.9375rem;letter-spacing:0em;word-spacing:0em;line-height:1.6em;text-transform:none;font-weight:normal}@media screen and (max-width:767px){.flo-footer--212 .flo-footer-area-2__title{font-size:0.9375rem}}.flo-footer--212 .flo-footer-area-2__subtitle{font-family:FreeSerifBold;font-size:1.75rem;letter-spacing:0em;word-spacing:0em;line-height:1em;text-transform:none;font-weight:normal}@media screen and (max-width:767px){.flo-footer--212 .flo-footer-area-2__subtitle{font-size:1.75rem}}.flo-footer--212 .flo-footer-area-2__newsletter-form-email{font-family:BenchNine Bold;font-size:0.8125rem;letter-spacing:0.1em;word-spacing:0em;line-height:1.84em;text-transform:none;font-weight:normal}.flo-footer--212 .flo-footer-area-2__newsletter-form{background-color:#d5a289;color:#000000}

Menú

Blog

Curso de cine online: ‘Korea 100: cien años de cine coreano’

The Forest of Love: 100% Sion Sono por partida doble

Estreno en Filmin: Last Child (Shin Dong-seok, 2018)

Irrfan Khan: el buen nombre

El thriller distópico que triunfa en Netflix: Time to Hunt (Yoon Sung-hyun, 2020)

In the Mood for CineAsia Vol2: El cine asiático en las plataformas online

Las 54 recomendaciones literarias para un Sant Jordi cineasiático

Hablamos con: Lee Won-tae y Jang Won-seok, director y productor de The Gangster, the Cop, the Devil

Lo que nos deparará el 2020 a los ‘cineasiáticos’ (China, India y Sudeste Asiático)

Recibe nuestras novedades en tu buzón!

Newsletter

DESEO SUSCRIBIRME

A LA NEWSLETTER DE CINEASIA