.flo-header-mobile__logo{max-width:11.25rem}.flo-header-mobile{background-color:#ffffff;color:#000000}.flo-header-mobile:not(.not-sticky){background-color:#ffd051;color:#000000}

header:not(.is-sticky) .flo-header--917{color:#000000;border-color:rgba(0,0,0,0.1)}header:not(.is-sticky) .flo-header--917{background-color:#ffffff}header:not(.is-sticky) .flo-header--917 .flo-header__menu > ul > li > a{color:#000000}header:not(.is-sticky) .flo-header--917.flo-header{padding-top:0.3125rem;padding-bottom:0.3125rem}.flo-header--sticky .is-sticky .flo-header--917{background-color:rgba(189,189,189,0.9);color:#000000!important;border-color:rgba(0,0,0,0.1)}

.flo-header--917 .flo-header__featured-link{font-family:Montserrat SemiBold;font-size:0.625rem;letter-spacing:0.2em;word-spacing:0em;line-height:2em;text-transform:none;font-weight:normal}

.flo-header--917 .flo-header__logo{font-family:FreeSerifBold;font-size:2.0625rem;letter-spacing:0em;word-spacing:0em;line-height:1em;text-transform:none;font-weight:normal}@media screen and (max-width:767px){.flo-header--917 .flo-header__logo{font-size:2.0625rem}}@media (min-width:768px) and (max-width:1024px){.flo-header--917 .flo-header__logo{max-width:12.5rem}}@media (min-width:1025px){.flo-header--917 .flo-header__logo{max-width:13.125rem}}

Category: Críticas

@media (max-width:767px){.flo-block--6404{margin-top:0rem;margin-bottom:0rem}}@media (min-width:768px){.flo-block--6404{margin-top:0rem;margin-bottom:0rem}}

.flo-block-listing-5--621 .flo-block-listing-5__title{font-family:FreeSerifBold;font-size:1.75rem;letter-spacing:0em;word-spacing:0em;line-height:1em;text-transform:none;font-weight:normal}@media screen and (max-width:767px){.flo-block-listing-5--621 .flo-block-listing-5__title{font-size:1.75rem}}.flo-block-listing-5--621 .flo-block-listing-5__category{font-family:Montserrat SemiBold;font-size:0.625rem;letter-spacing:0.2em;word-spacing:0em;line-height:2em;text-transform:none;font-weight:normal}.flo-block-listing-5--621 .flo-block-listing-5__overlay{font-family:Montserrat SemiBold;font-size:0.625rem;letter-spacing:0.2em;word-spacing:0em;line-height:2em;text-transform:none;font-weight:normal}.flo-block-listing-5--621 .flo-block-listing-5__overlay{color:#000000;background-color:#e5e5e5;background-image:url()}.flo-block-listing-5--621 .flo-block-listing-5__text-area{color:#000000}@media (max-width:767px){.flo-block-listing-5--621 .flo-block-listing-5__featured-image--bgi{height:300px}}@media (min-width:768px){.flo-block-listing-5--621 .flo-block-listing-5__item{width:calc(100% / 3);padding:1.375rem}.grid-sizer{width:calc(100% / 3)}.flo-block-listing-5--621{margin:-1.375rem}}

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El thriller distópico que triunfa en Netflix: Time to Hunt (Yoon Sung-hyun, 2020)

.flo-block-listing-pagination--865 .flo-block-listing-pagination__page-links{font-family:Montserrat SemiBold;font-size:0.625rem;letter-spacing:0.2em;word-spacing:0em;line-height:2em;text-transform:none;font-weight:normal}.flo-block-listing-pagination--865 .flo-block-listing-pagination__navigation{font-family:Montserrat SemiBold;font-size:0.625rem;letter-spacing:0.2em;word-spacing:0em;line-height:2em;text-transform:none;font-weight:normal}.flo-block-listing-pagination--865{color:#000000}.flo-block-listing-pagination--865 .flo-block-listing-pagination__element-name{}

@media (max-width:767px){.flo-block--8703{margin-top:0rem;margin-bottom:0rem}}@media (min-width:768px){.flo-block--8703{margin-top:0rem;margin-bottom:0rem}}

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@media (max-width:767px){.flo-mobile-menu{background-color:#ffffff;color:#000000}.flo-mobile-menu__menu > li{border-bottom-color:rgba(0,0,0,0.15)!important}.flo-mobile-menu__menu-dropdown-toggle{color:rgba(0,0,0,0.15)!important}}

@media (max-width:767px){.flo-mobile-menu__featured-link{font-family:Montserrat SemiBold;font-size:0.625rem;letter-spacing:0.2em;word-spacing:0em;line-height:2em;text-transform:none;font-weight:normal}}

.flo-footer--548 .flo-footer-area-1-type-d__link{font-family:BenchNine Bold;font-size:0.8125rem;letter-spacing:0.1em;word-spacing:0em;line-height:1.84em;text-transform:none;font-weight:normal}.flo-footer--548 .flo-footer-area-1-type-d__link{color:#000000;background-color:#ffffff}.flo-footer--548 .flo-footer-area-1-type-d{color:#000000;border-color:rgba(0,0,0,0.1);background-color:#e5e5e5}@media (max-width:767px){.flo-footer--548 .flo-footer-area-1-type-d__image:nth-last-child(-n+0){display:none}}

.flo-footer--548 .flo-footer-area-2__link{font-family:BenchNine Bold;font-size:0.8125rem;letter-spacing:0.1em;word-spacing:0em;line-height:1.84em;text-transform:none;font-weight:normal}.flo-footer--548 .flo-footer-area-2{background-color:;color:#000000;border-color:rgba(0,0,0,0.1)}

.flo-footer--548 .flo-footer-area-2__title{font-family:Helvetica, 'Helvetica Neue', Arial, sans-serif;font-size:0.9375rem;letter-spacing:0em;word-spacing:0em;line-height:1.6em;text-transform:none;font-weight:normal}@media screen and (max-width:767px){.flo-footer--548 .flo-footer-area-2__title{font-size:0.9375rem}}.flo-footer--548 .flo-footer-area-2__subtitle{font-family:FreeSerifBold;font-size:1.75rem;letter-spacing:0em;word-spacing:0em;line-height:1em;text-transform:none;font-weight:normal}@media screen and (max-width:767px){.flo-footer--548 .flo-footer-area-2__subtitle{font-size:1.75rem}}.flo-footer--548 .flo-footer-area-2__newsletter-form-email{font-family:BenchNine Bold;font-size:0.8125rem;letter-spacing:0.1em;word-spacing:0em;line-height:1.84em;text-transform:none;font-weight:normal}.flo-footer--548 .flo-footer-area-2__newsletter-form{background-color:#d5a289;color:#000000}

Category: Críticas

Kimetsu no Yaiba – Guardianes de la noche: El tren del infinito

Península, el día que los zombis regresaron a Corea

Minari. Historia de mi familia: Echar raíces sin renunciar a las propias

Estreno Netflix: Tigre blanco

Millenium Actress: la obra maestra de Satoshi Kon en cines en 4K

Ip Man 4: el final. Un digno desenlace para una gran saga

Estreno Netflix: A Sun (Secretos del corazón)

The Forest of Love: 100% Sion Sono por partida doble

Estreno en Filmin: Last Child (Shin Dong-seok, 2018)

El thriller distópico que triunfa en Netflix: Time to Hunt (Yoon Sung-hyun, 2020)

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